All fiction genres have plots. A story needs a story-line, something that pushes the characters from page one to the end. When we look at a mystery, we want to see how the main character is going to solve the mystery and save themselves and probably their lover. In romance, the plot HAS to be driven by the romantic relationship of the hero and heroine and by the turning points in their romantic relationship.
As Halloween nears, I consider the origins of the holiday. Many scholars believe the idea of wearing masks originated in the fear of lost souls roaming the earth this time of year, when the veil between living and dead thins and the world grows darker. The masks allowed revelers to imitate or hide from their fearful foes.
Often times, you may hear that to be successful in your creative endeavors you need to “think outside the box”. This is sound advice. There is nothing more infinite than what is outside the conventional. There is also nothing more boundless than the blank page. Sometimes, creativity may need to be reined in so as not to be overwhelmed. What better place than a box to give your inspiration some form? A small box.
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You have a great story with wonderful characters who overcame grievous wounds—abused childhoods, broken marriages, or alcoholic parents. How do you handle the task of explaining these life-defining experiences? In prologue, dialogue, monologue, exposition, flashback?
Clothes can give your reader an important first impression of your character.
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