Sometimes writing is like being in a trance. How else can it be explained? When people have experiences, like taking the kids to the zoo for the first time or falling in love; we remember them. We may even remember what our lover was wearing the first time we laid eyes on him or her.
With the upcoming conference and contest session upon us, writers may be scrambling to craft that perfect one-liner that captures the 300 plus pages of perfection to lob to an editor or agent. There may be some who are quietly being fitted for white jackets with buckles as they pare down their beautiful creature into 1 to 5 page synopsis to accompany that one-line pitch. If you’re hoping for words of wisdom on these two items, sorry, I’ll leave that to someone else better suited and not currently tearing their hair out trying to accomplish the same thing.
Many writers, when they sit down to work, look with anxiety or stress at that blank page. Or they’re afraid to send their work out—to editors or publishers—or even for critique. Others are afraid they won’t sell. Or if they have sold, that they won’t sell again.
I’ve never had a special place to write. I’ve often envied other writers who post pictures of their little corner, with a chair and desk, notebooks and pens at the ready; often an inspiring view nearby. Sadly, I’ve never lived in a house that had space for a space.
In my early years of writing I believe that in order to be successful, I needed to follow the paths of more successful writers. Did my mentor meditate? I’ll mediate, it will make my work better. Did my mentor move to Taos? I’ll move to Taos, it will help me be more inspired and creative. Did my mentor write for ten minutes straight? I’ll write for ten minutes straight.
Once upon a time, a critique partner told me I should put my manuscript in a box and place that box under my bed and never take it out. Imagine for a moment that you’re me. How would that make you feel in your mind and in your creative heart? Devastated, right? I wanted to slam down my manuscript and walk off the writing-playing field before the whistle blew, and not ever look back.
Most writers know from the outset that this is a very solitary pursuit they’ve chosen, that there’s no other way to create than to spend long, often lonely hours at the keyboard or over a blank page, struggling to find just the right word, phrase or image.
I’ve had several occasions now where I’m talking to an author, and they mention how frustrating it is that this publisher has the rights to their book and, for one reason or another, the publisher refused to give the rights back when the author asked for it. I promptly ask the first question that comes to my mind: “So, do you think you’ll exercise your termination right when the time comes?”
Some writers enjoy the process of rereading and combing through each word, looking for ways to strengthen sentences, remove extraneous detail, sharpen plot and develop characters. But for many it’s pure torture. Editing can feel like it lacks the punch and excitement of the initial writing, too analytical and uncreative.
I participated in Pitch Madness last year on twitter and while preparing I realized I had no idea what genre my book was. Before you begin they give you a list of what genre to put at the end of your tweet so that agents and editors can see if they would even represent your book. There were so many to choose from so I did some research on each of them.
I’ve always been one of those people that learns the hard way, by doing. I’m also one of those people that says “I can do it myself”. This is what led me to my most recent pitfall.
For all those who have interacted with small humans in the kinder-to-third grade arena, you might be familiar with Flat Stanley (also known in some cases as Flat Lizzy). For those who haven’t had the joy of meeting this illustrious character, a quick introduction.
How many times have we read a book, or a short story, or a terrific blog post and thought to ourselves, “man, this is great. I wish I’d written it.” I do that all the time.
A writer I know recently asked for song ideas to build her writing playlist—the music she’d play while she worked on her latest WIP, a fantasy adventure tale. She wanted songs that would speak to the acts of the book—her heroine on a mission, in trouble, fighting her way out, and resolving her issues. I thought of “I Need a Hero,” sung by Bonnie Tyler, who asks for a street-wise Hercules.
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Creativity Coach for Writers, NLP Master Practitioner, and Master Teacher, Beth Barany has been there and knows how hard it can be to take your idea and turn it into a real book, that people will actually be interested, and even yearning, to read.
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