Medium- A New Writing Tool For Authors By Scott Lorenz Westwind Communications
Walter Isaacson uses it. NY Times journalist David Carr uses it. Author Emily Gould, Journalist Ben Smith, and Entrepreneur Elon Musk use it too. What is it?
Tagged: writers
Book Publicity Idea: Link Your Book to Holidays and Special Events By Scott Lorenz Westwind Communications
One creative way to get publicity for your book is to tie it to a holiday or special event. You’ll be able to reach out to the media who often need a ‘reason’ to showcase your book right now. Furthermore you may be able to reach your audience on a more personal level by promoting your book alongside a national holiday, theme month, or cause. There are thousands of holidays that celebrate various concepts as well as traditional holidays that can be used to market your book; you just have to find them.
4 Conditioning Exercises for Desk Athletes By Jen Young
When it’s time to get up from your desk after a long or intense writing session, what do you experience in your body? Sore lower back? Stiffness in the neck and/or hips? Maybe even a headache?
Authors: Check Out These 21 Fan Fiction Sites By Scott Lorenz, Westwind Communications
Overview: Fan Fiction is a great way for aspiring authors to hone their craft. Amanda Hocking started out writing fan fiction and she was signed to a multimillion dollar book deal. Fifty Shades of Grey author E. L. James started writing fan fiction after she finished reading the Twilight saga, and hasn’t stopped since. Here’s a list of 21 Fan Fiction sites for authors to consider.
What Not to Put on a Book Cover By Simone Collins Co-Founder of ArtCorgi.com
Through my company, ArtCorgi.com , and its boutique for authors ArtforAuthors.com , I help writers commission one-of-a-kind art for their book covers (along with illustrations, author portraits, and the like).
Lock Picking – A Practical Personal Guide to Book Research By Raina Schell
I’m no expert but I do know that when you write a book and/or character, a lot of research has to go into it to make it believable.
Interior Monologue by Carol Malone
This material first appeared as a course within the Group Coaching Program for Novelists where Carol is an assistant mentor. Click here http://coaching.bethbarany.com/ for more information about the program where we help novelists write, edit, publish, and market their books with joy, love, enthusiasm, and smarts.
The Foundations of a Compelling Book Cover by Simone Collins Co-Founder of ArtCorgi.com
People who urge you to not judge a book by its cover are engaged in a futile battle against a core element of humanity: the fact that we are designed to make snap judgments based on people and objects’ outward appearances.
Graphic Novel By Nevada McPherson
I’ve been writing screenplays for several years and enjoy telling stories through visual images. After storyboarding my first short film script, Route of All Evil, I decided to start creating graphic novels based on my screenplays.
Theme -> Organizing Principle -> “I love revising!” By Jackie Blain
I created my fair share of trunk manuscripts… until I finally figured out a way to embrace the revision process. My Diagnosis Murder colleagues still shudder whenever someone mentions “the godforsaken Food Fight script” about which the less said the better.
Backstory: Leave It In The Past By Kay Keppler
You have a great story with wonderful characters who overcame grievous wounds—abused childhoods, broken marriages, or alcoholic parents. How do you handle the task of explaining these life-defining experiences? In prologue, dialogue, monologue, exposition, flashback?
Use Microsoft Word to Stop Shooting Yourself in the Foot by Molli Nickell
For 20 years, frustrated writers have arrived at my Story-Doctor virtual doorstep, manuscripts and hearts in hand. (This may not be totally accurate. Actually, I’ve never opened an email that included a photo of the sender clutching a bloody manuscript in one hand, their bleeding heart in the other. But, I digress.)
Why In The World a Screenwriter Worries About Description by Jackie Blain
You’re probably wondering why in the world a screenwriter would worry about description. After all, don’t we just write dialogue and action? Well, no. Not entirely. We have to think in visuals, just like any creative writer does. But we have to pare down those visuals into a few words, to create tone and setting in a way that’s almost like poetry. And that means we really have to feel that setting. Get into our characters’ and story’s heads, if you will, so we can convey see their world through their emotions.
Artist Entrepreneur: Y for You— The Artist’s Alphabet Guide to Writing About Your Art by Aletta de Wal
“My greatest obstacle is to learn to market my work without fear. Art galleries, publishers, clients, newspaper reporters, all the questions, art receptions; talking about my work with strangers, being the center of attention, it’s overwhelming.”
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