Tagged: writer

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Learning from Our Reading by Martin Haworth

Over the summer I’ve been reading a lot (haven’t we all?) and I’ve realised that my reading has changed a little as I’ve started to write more and with the hindsight of what I’ve learned along the way.

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Backstory: Not a Dirty Word by Kay Keppler

We’ve all heard the first commandment for writers: never open your book with backstory. And the second commandment? No infodumps. And the third? Sprinkle that backstory throughout your book.

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Ready for New Adventures? By Nevada McPherson

Summer is still with us but “back to school” is just around the corner (or already here in some places) and I’ve started to assess what I’ve been up to for the past few weeks and figure out what will be my focus as fall approaches.

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Are You Out Of Focus? by Carol Malone

I was cleaning off all my emails the other day when I was suddenly struck with the number of emails I receive from my favorite writing gurus and educators. I subscribed to a variety of them and the glut of email messages they send me on any given day is overwhelming.

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Is Fear Holding You Back? by Martin Haworth

I’m a great believer in accountability. In my role as a coach, I spend a lot of time encouraging clients to be committed to their future. In doing so, it is vital that they appreciate that there is no one coming to their rescue (except me, perhaps – more of that later*.)

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Writing an Unlikeable Protagonist by Kay Keppler

Do protagonists have to be likeable? Of course, because how else can a reader bond with your hero? Of course not, because some of the most fascinating protagonists in literature are unlikeable, or indeed, hateful.

5

The Value of Short Stories By Martin Haworth

As a business writer, I came to writing articles late in life. Eventually, from 2004 to 2013, I wrote over 400 and posted them out there in the world — on my own blogs; on other peoples’ websites, and on article banks.

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The Challenge of Genre Mixing by Michael Finberg

To make a big splash in today’s literary world, genre mixing is essential to a writer. Like a chemist, contrarian writers must mix many story elements to produce a powerful and fresh literary work. Premise and POV (point of view) must be chosen first, but then another critical choice awaits the writer.

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What’s in a Name? by Kay Keppler

The first line of Herman Melville’s Moby Dick is “Call me Ishmael.” Thus begins an incredible saga told through the eyes of one of literature’s greatest narrators.

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