How To Write the Future — SF/F Writing Podcast | WFZ
by Kerry-Ann McDade · Published October 19, 2026 · Last modified October 14, 2026
Writing Community: Your Secret Publishing Advantage – How To Write the Future podcast, ep. 227 “I realized I had to accelerate the pace. And I’ve seen this in other mediums with other people in...
Write Unfiltered explores how writers can move past self-doubt, find their authentic voice, and give themselves permission to create.
How to Talk About Your Art explores why artists struggle to explain their work and how sharing creativity can help others understand it.
How To Write the Future — SF/F Writing Podcast | WFZ
by Kerry-Ann McDade · Published August 31, 2026
Constructive Critique Basics – How To Write the Future podcast, episode 220 *** “It is so, so important on how to give constructive feedback to other writers, and also how to receive that feedback...
A reflection on the damage critics can cause to creativity and a call to value the courage it takes to create rather than to judge.
Fiction is made up, so write the story fiction as you want, based on your unique experiences, not how others tell you to.
You want to be a better novelist but it can be hard to answer the question: what kind of feedback would you like? Discover the types of editing you can expect as you work to improve your drafts from novelist Willow Woodford.
Emotional feedback can be difficult to hear, but even the negative feedback can be incredibly helpful. So, here are my quick tips for finding critique and not letting it break your heart.
Ah, the scent of wood smoke and rain tells me another year is gearing up for the fall and it’s time for a well-earned break. You know the kind, the type you use to reward yourself for surviving another round of new projects, writer conferences, pitch sessions, the merry-go-round of queries, new releases, and the never-ending whirlwind of life in general.
When I was brand spanking new to novel writing I entered a local writing contest. Looking back I realize I entered for the wrong reasons. I wanted to win. I wanted a pat on the back. I thought that everyone who read my entry would Oooo and Ahhh. After all, it was a scene I had worked on for years and I thought it was really good. What constituted “really good” for me and now are two different things.
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