Using Fiction to Teach a Lesson by Connie Dunn
Actions often speak louder than words, especially when we are teaching about certain behaviors.
Actions often speak louder than words, especially when we are teaching about certain behaviors.
I’m currently teaching an online course on creating compelling characters for novelists via Outreach International, an RWA (Romance Writers of America) chapter. I’m really enjoying teaching this class and so am turning it into a...
I’m all for being focused on your writing, being disciplined, having a plan. And of course having goals. But sometimes you need to take a break. I don’t know about you, but I find...
Beta Readers Requested I’m an author’s coach, helping novelists write, publish, and market their books. To that end, I’m looking for beta readers for one of my client’s novels. THE REQUEST: This is a...
It’s time to take internet security into our own hands, and start to inbox a bit cleverer.
Part of craft is choosing from which perspective, or point of view, you tell your story. Your choices are first, second, or third person (limited or omniscient). Each has its strengths and drawbacks. Well, okay, second person has no strengths, only drawbacks, unless you’re writing how-to manuals. In that case, carry on. Fiction people, you have choices to make.
When editors and critiquers first started reading through my precious manuscripts, I got a lot of “Show, don’t tell,” scrawled across my pages in blood-red ink. And of course, I thought, What the h@#l. What does “Show don’t tell” mean? No one explained it precisely, they all expected me to glean the meaning from the insufficient information they didn’t bother to offer me.
I cheer and whoop and holler for other writers’ success; and when I do, I mean it. I genuinely mean it. But I find myself constantly comparing myself to others and how they are doing. Social media doesn’t help with that. Knowing how many followers and likes and comments etc that others have can give me a false sense of triumph and needless disappointment.
“Getting Started with my Novel is So Hard” As an author’s coach, I hear this all the time. I know how you feel. I’ll tell you a little secret. The secret to getting started...
The life-long journey of thinking, discovering, imagining, creating, evolving, and challenging yourself as a person and a writer, colors and enriches our experiences, and also our writing
Alex B. for his college Composition 1 class asked me these questions on how to become an author. Thanks Alex! Hope you get a good grade on your paper! 1. How can you become...
We make them like us. We give them personalities with strengths and flaws. Sometimes we need to give them, “fatal” flaws. Having these fatal flaws cause conflict.
Hooking that reader with an intriguing opening is critical, especially if that reader is unfamiliar with your work. Many books have well-established ways of opening. Authors, like chess masters, can choose familiar opening gambits that help readers feel comfortable while establishing the story, stirring interest, and starting the action. You might want to think about launching your story with one of these familiar types of openings.
I dedicate this month’s column to Gabriel Garcia Marquez, who passed away this month at the age of 87. The master and popularizer of a narrative mode called magical realism, Marquez artfully blends the fantastic and the real into a tapestry from which both fantasy and reality are inextricable.
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