Fatal Flaws in a Rom-Com? Yes, Please! by Laurel Osterkamp
Laurel Osterkamp shares the beauty of using fatal flaws in a rom-com. Fatal flaws create compelling conflict, even in a light hearted story.
Laurel Osterkamp shares the beauty of using fatal flaws in a rom-com. Fatal flaws create compelling conflict, even in a light hearted story.
Andrea Rider shares about her book, “Staying Freelance,” with tips on promotion for success with your freelance writing career.
LA Bourgeois has been to that party where small talk is about what you do. She has some advice on talking about what you LOVE to do instead.
“Reading? No Judgment Here” encourages readers to explore different formats and genres, and to embrace the joy of reading without judgment.
Beth Barany interviewed on “The Writing Coach Podcast” with Kevin T Johns. *** I was honored to be interviewed by Kevin T Johns for his podcast, “The Writing Coach Podcast.” Get a look into...
Laurel Osterkamp has been crafting a killer for her newest novel. Join her as she shares what makes a villain believable.
Kirsten McNeill is back to tell you how to create with purpose. Now, it’s time to explore, so pick up your pen and see what happens!
Catherine Bramkamp cautions us to not blindly put together the IKEA furniture of our manuscript, instead to be intentional with our work.
LA Bourgeois shares her expert opinion on how to find words when you’re toeing burnout: Take a break! Read on to find out how.
Linnea Gradin shares some tips on how to write in 4th person POV. How is it different from first and third person POV? How do we use it?
Catherine Bramkamp shares how she’s working with what’s found when she finds a box of her mother’s things. Includes an old photo!
Find out why Laurel Osterkamp has returned to self publishing in this inspirational post about getting your groove back.
Writing teacher Ann LM Kitching shares her tried and true method of writing a successfully compelling plot with these fun writing tips.
Kirsten Mcneil helps us identify and train the four horsemen of the writer’s apocalypse. Who are they and what do they want from us?
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