Writing Outside of Your Comfort Zone by Annmarie Miles
I think it was the first time that as I writer I really felt out of my comfort zone; it was also the first time I’d ever said, ‘I don’t think I can write this story.
I think it was the first time that as I writer I really felt out of my comfort zone; it was also the first time I’d ever said, ‘I don’t think I can write this story.
I am a novelist, creative writer, blogger, nonfiction writer, teacher, and book and learning nerd. I fight my own perfectionism all the time. Mostly unconsciously. But I’ve found some ways to handle it consciously...
When editors and critiquers first started reading through my precious manuscripts, I got a lot of “Show, don’t tell,” scrawled across my pages in blood-red ink. And of course, I thought, What the h@#l. What does “Show don’t tell” mean? No one explained it precisely, they all expected me to glean the meaning from the insufficient information they didn’t bother to offer me.
I cheer and whoop and holler for other writers’ success; and when I do, I mean it. I genuinely mean it. But I find myself constantly comparing myself to others and how they are doing. Social media doesn’t help with that. Knowing how many followers and likes and comments etc that others have can give me a false sense of triumph and needless disappointment.
As I grew older I learned to control my visibility – I was visible and outspoken at school, when I knew it would be most valued. But I was never visible when it really mattered – in relationships or in my writing. Being invisible kept me safe. Being invisible kept me safe from criticism and rejection.
We make them like us. We give them personalities with strengths and flaws. Sometimes we need to give them, “fatal” flaws. Having these fatal flaws cause conflict.
Hooking that reader with an intriguing opening is critical, especially if that reader is unfamiliar with your work. Many books have well-established ways of opening. Authors, like chess masters, can choose familiar opening gambits that help readers feel comfortable while establishing the story, stirring interest, and starting the action. You might want to think about launching your story with one of these familiar types of openings.
What we call ourselves and our profession is often the psychological difference between accomplishing our goals and dreaming about them.
I find that if I’m too relaxed in my chair, slouching or sinking down, I automatically enter a relaxed state of mind, a kind of fuzziness that might momentarily aid the flexibility of my thoughts, but soon becomes a detriment to focus.
I love to learn about the writing and publishing process. During one such workshop, I was told NOT to publish my paperback until I’d saved sufficient money to have it professionally done.
I am happy to welcome Faith Van Horne back for another month with us! In today’s article Faith discusses writing and intuition. Enjoy! *** Writing advice tends to be divided into two seemingly contrasting camps: “art”...
You really really want to adapt your novel into a screenplay. It’s visual, it moves, there are great characters, the plot is strong. But you really really don’t have the time it’ll take to learn how to write a different genre.
This was the writing assignment that inspired my first published children’s story: Write a bare bones short story of 300 words or fewer. It will have a simple plot, almost no description, and two (exactly two) plot twists.
I’ve been on a serious writing journey for awhile and just published my first eBook. While walking that path, I’ve discovered a lot of things about myself and the writing process.
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