A few months ago I decided on an exercise challenge. After two years of bi-weekly handstand classes I still could not balance on my own in the center of the room. After asking experts I was told, “you need to practice every single day no matter what, for a minimum of two minutes a day. If you do this, in six months to a year you’ll have your handstands.”
You managed to find your way through the battlefield of plot, claw your way free of character motivation, and rejoiced as you conquered the unsurmountable ending of happiness. Behold the miracle, you have emerged triumphant with a COMPLETE BOOK.
People talk to each other all the time, so it seems as though writing dialogue should be simple. But many writers trip up over making dialogue sound natural. Here’s a sample of something I see frequently when I’m editing manuscripts:
Passive sentences gained popularity in the mid- 18th century with new scientific research. The agreement between the scientists and the publishers of journals and newspapers was that the scientist (a new term and a new field of study) were to write up their ideas and findings passively.
“…the bearded merchants in furred robes conversing quietly as they picked their way along the slimy stones above the water, the fishermen unloading their catch, coopers pounding and shipmakers hammering and clamsellers singing and shipmasters bellowing, and beyond all the silent, shining bay.”
Every format of story telling—written, sung, painted, sculpted, photographed, inked, digitally enhanced—shares a sprinkle of an illusive elixir, a potion which will enable the viewer or reader to step into the magical world crafted from the artist’s mind. It is combination of words, note arrangement, brush strokes, use of lines, lighting, or shading that snag the listener’s imagination and set their hooks in so deep they believe, for a heartbeat or a collection of moments, that the artist’s fantastical world is real.
Do you remember Sister Maria from The Sound of Music? She sang a little song about having confidence before she plunged into the world of Captain Von Trapp and his seven motherless children. As she sang, she acknowledged her doubts and fears, but she didn’t chicken out or turn back.
The goal for every writer has to be writing a book so compelling that readers can’t put it down. Using foreshadowing can help you create that kind of suspense, because it hints at what comes later and motivates the reader to find out what that drama or secret is. Foreshadowing can also convey information that helps readers understand future events.
Anthologies are often the first place a brand newbie writer can get published. Which is why many colleges and writing clubs collect and print anthologies. Inclusion in an anthology increases the value of group membership and lifts all boats – or in this case, author’s street cred.
In my last post I talked about how you should take every opportunity to talk about your work when you get the chance, to see what others have to say and to learn from the questions people ask. Sometimes they catch you off-guard in a way that makes you have to say something from the gut, and it forces a writer to be in the moment, and to be authentic.
There are multiple kinds of truth, in fiction as in life. As fiction writers, we move as close to the truth as possible without ever quite veering into truth entirely (otherwise we’d be writing nonfiction). One kind of truth emanates from a realism of scene and detail. By identifying with familiar settings and character traits, readers are pulled into a story and become personally attached to it.
Before my novella was changed into a novel, I begun to think about querying agents. I researched everything I could about how to write query letters and studied samples from published authors. Most of the samples suggested adding a paragraph at the end of your letter to tell a little about yourself and your writing experience.
Sometimes writing is like being in a trance. How else can it be explained? When people have experiences, like taking the kids to the zoo for the first time or falling in love; we remember them. We may even remember what our lover was wearing the first time we laid eyes on him or her.
With the upcoming conference and contest session upon us, writers may be scrambling to craft that perfect one-liner that captures the 300 plus pages of perfection to lob to an editor or agent. There may be some who are quietly being fitted for white jackets with buckles as they pare down their beautiful creature into 1 to 5 page synopsis to accompany that one-line pitch. If you’re hoping for words of wisdom on these two items, sorry, I’ll leave that to someone else better suited and not currently tearing their hair out trying to accomplish the same thing.
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Beth Barany helps authors get their books completed and out into the world, into the hands of their readers.
Creativity Coach for Writers, NLP Master Practitioner, and Master Teacher, Beth Barany has been there and knows how hard it can be to take your idea and turn it into a real book, that people will actually be interested, and even yearning, to read.
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