Deep POV: Plunging off the Cliff by Kay Keppler
This simple example is just to demonstrate how deep POV works. Of course, nothing is ever absolute, and deep POV can get much deeper than this when you’re working in your own scenes.
Creativity Tools and Tips / Writing Tips
by Beth Barany · Published January 17, 2013 · Last modified January 18, 2013
This simple example is just to demonstrate how deep POV works. Of course, nothing is ever absolute, and deep POV can get much deeper than this when you’re working in your own scenes.
You want to strike a balance between being so generic that no one will read past page one, and giving readers an unsubstantiated infodump.
Every scene you write should have a purpose. It should move the plot or develop a character. To keep your scenes active and give them some energy, think about the values that are at stake in each one.
I can see it now—you and your Aunt Myrtle at Thanksgiving. “What’s your book about, dear?” she’ll say over turkey and gravy. And you oblige her by saying, “Well, my heroine—that’s Artemisia Bullwinkle—finds a body in the pantry and figures out that the heir and her true love—that’s Froggie Muckbottom—did it. She sends him to the Big House, where he catches chilblains and she knits him woolen booties. And it all happens in Regency England.”
Setting should never be an afterthought in your story planning. Where you place your characters—and how you describe their geography, time period, and other setting elements—can expand or clarify themes, build story unity, tighten plot structure, intensify suspense, motivate and explain character, and intensify reader involvement.
Your characters do not act in a vacuum. They live somewhere—in a house, an ocean, a country, planet, period, zeitgeist, vacuum. Often they travel to somewhere else, or aspire to. They carry baggage—metaphorical as well as literal. They have history and a future, cultural attitudes and speech patterns.
Welcome to the next installment of craft posts by monthly guest columnist, Kay Keppler. Today she’ll share about book structure and how to create it. You can contact Kay through the Writer’s Fun Zone...
Let’s say that you know who your story’s characters are, and you know what they’ll be doing—you have a plot. Now it’s time to write your story. And like many writers, you’ll be sitting there in front of your keyboard and monitor, staring at a blank page, and sweating blood. Where to begin?
Everybody knows what plot is, right? It’s action. Action drives stories. Without action, without plot, you’ve got no story. Simple. But not all actions are equal. For actions to be plot, they must have consequences. Actions without consequences are setting or description.
Do people truly change? Other than lightbulbs, I mean. People constantly change their superficial appearances—hair color, weight, corrective lenses, clothing styles—but do they, can they, change their fundamental behavior? This is your job as a writer to explore.
Welcome to the Writer’s Fun Zone and to the next installment of craft posts by new monthly guest columnist, Kay Keppler. Today she’ll share with us how to define your hero.
This post on craft is the first of several monthly posts by new monthly guest columnist, Kay Keppler, that we’ll be publishing here on the Writer’s Fun Zone. Today she’ll share with us how to build characters with action and motivation.
Extra! Welcome to another Indie Author spotlight this week, an article on how to research your novel by author Kay Keppler. Kay Keppler writes smart, funny contemporary romance, and other fun stuff. Her story on how she did research for her Vegas-based book is fun and informative. Enjoy! PS. Oh, be sure to visit her blog for a chance to win one of my writing books and many other fabulous prizes.
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