Why I Temporarily Returned to Self-Publishing, Part One by Laurel Osterkamp
Find out why Laurel Osterkamp has returned to self publishing in this inspirational post about getting your groove back.
Find out why Laurel Osterkamp has returned to self publishing in this inspirational post about getting your groove back.
HOW TO WRITE THE FUTURE PODCAST
by Kerry-Ann McDade · Published May 27, 2024 · Last modified June 2, 2024
The Sacred: Religion and Mysticism (Build Better Worlds, 3 of 4) – How To Write the Future podcast, episode 102 “So how does religion or mysticism fit into your story and how can you...
LA Bourgeois shares her insight on how to pick topics for your blog or newsletter with her own honest and heartfelt methods.
HOW TO WRITE THE FUTURE PODCAST
by Kerry-Ann McDade · Published May 20, 2024 · Last modified June 22, 2024
Myth, Imagined Past, and Cultural Purity in Fiction (Build Better Worlds, 2 of 4) – How To Write the Future podcast, episode 101 “So I lived in France. After the meal, we would have...
Lawyer Kelley Way shares with us three ways to determine copyright worth. The cost method, the market method and the income method.
Writing teacher Ann LM Kitching shares her tried and true method of writing a successfully compelling plot with these fun writing tips.
HOW TO WRITE THE FUTURE PODCAST
by Kerry-Ann McDade · Published May 13, 2024 · Last modified May 14, 2024
What is Cultural Context? (Build Better Worlds, 1 of 4) – How To Write the Future podcast, episode 100 “Assumptions are great. What are our conscious and subconscious assumptions of the culture?” – Beth...
Kirsten Mcneil helps us identify and train the four horsemen of the writer’s apocalypse. Who are they and what do they want from us?
World Building with Andrew Zimba – How To Write the Future podcast, episode 99 “When it comes to telling a story or crafting or condensing it into a book or a film, is what...
Learning about the benefit of delay might save your writing! Catharine Bramkamp shares her story with the benefits of this work style.
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