{"id":14643,"date":"2016-02-18T01:00:21","date_gmt":"2016-02-18T09:00:21","guid":{"rendered":"http:\/\/writersfunzone.com\/blog\/?p=14643"},"modified":"2016-02-12T14:53:37","modified_gmt":"2016-02-12T22:53:37","slug":"your-job-description-by-kay-keppler","status":"publish","type":"post","link":"https:\/\/writersfunzone.com\/blog\/2016\/02\/18\/your-job-description-by-kay-keppler\/","title":{"rendered":"Your Job Description by Kay Keppler"},"content":{"rendered":"<p><a href=\"http:\/\/amzn.to\/1FwDXpW\" target=\"_blank\" rel=\"http:\/\/amzn.to\/1FwDXpW\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-12628 size-medium\" title=\"Loving Lucy by Kay Keppler\" src=\"https:\/\/writersfunzone.com\/blog\/wp-content\/uploads\/2015\/05\/KayKeppler_LovingLucy_800-201x300.jpg\" alt=\"Loving Lucy by Kay Keppler\" width=\"201\" height=\"300\" srcset=\"https:\/\/writersfunzone.com\/blog\/wp-content\/uploads\/2015\/05\/KayKeppler_LovingLucy_800-201x300.jpg 201w, https:\/\/writersfunzone.com\/blog\/wp-content\/uploads\/2015\/05\/KayKeppler_LovingLucy_800-687x1024.jpg 687w, https:\/\/writersfunzone.com\/blog\/wp-content\/uploads\/2015\/05\/KayKeppler_LovingLucy_800-300x447.jpg 300w, https:\/\/writersfunzone.com\/blog\/wp-content\/uploads\/2015\/05\/KayKeppler_LovingLucy_800.jpg 800w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/a>Let\u2019s\u00a0welcome\u00a0back monthly columnist, editor\u00a0and novelist\u00a0<a href=\"http:\/\/amzn.to\/1ICkoOc\" target=\"_blank\">Kay Keppler<\/a>, as she shares with us about \u201cYour Job Description.\u201d\u00a0<em>Enjoy!<\/em><\/p>\n<p>***<\/p>\n<p><strong>I recently had the opportunity to do a beta read on a novel and provide a critique.<\/strong> The experience was both sad and depressing. Everything was off\u2014pacing, character development, and conflict. Keeping all those ponies in harness pulling their weight and working together is complicated. But this is your job as a novelist.<\/p>\n<p>Chuck Wendig once wrote a post called \u201c<a href=\"http:\/\/terribleminds.com\/ramble\/2015\/04\/29\/a-smattering-of-stupid-writer-tricks\/\" target=\"_blank\">A Smattering Of Stupid Writer Tricks<\/a>,\u201d which is succinct and helpful in reminding oneself of what needs to be done every day. A warning: I\u2019ve taken liberties.<\/p>\n<h3><strong>1) To improve pacing<\/strong><\/h3>\n<p><strong>Follow tension with calm<\/strong>. Take the story from high intensity (action, argument, manifest tension, drama) to low intensity (dialogue, simmering tension, concerted character development). However, nothing should be\u00a0<em>without<\/em> tension, and conflict should carry throughout. Watch movies to see how this works. The films\u00a0<strong><em><a href=\"http:\/\/amzn.to\/1QculCe\" target=\"_blank\">Die Hard<\/a> <\/em><\/strong><strong>and<\/strong>\u00a0<strong><em><a href=\"http:\/\/amzn.to\/1O7etzw\" target=\"_blank\">Requiem for a Dream<\/a><\/em><\/strong> have a period of calm, then a period of action, then calm, then action. But as these films approach the end, the slower periods get shorter and less frequent, and the sharp, fast, nasty patches get sharper, faster, and nastier. This is how you want your book to go, too.<\/p>\n<p><strong>Chart your story<\/strong>. Use graphs. Give a number (1-100) to a particular aspect of the story (tension, drama, character development, pacing, physical\/social\/emotional elements). Use spreadsheets to create the graphs. What does the chart look like? Fix what looks flat.<\/p>\n<p><strong>Assess your work<\/strong>. At the end of the day, ask yourself: Was I bored today by the work? If so: why? Then fix it.<\/p>\n<p><strong>Differentiate writer\u2019s block from writer\u2019s error<\/strong>. If you can\u2019t seem to find your way forward, skip the section you\u2019re working on and begin somewhere else. You don\u2019t have to work in order. However, writer\u2019s block might mean that something is wrong in the story. You might need to cut the last section because something is\u00a0<em>off-kilter.<\/em> Maybe go back and outline the chapter or section to see what the story should look like.<\/p>\n<p><strong>Edit ruthlessly<\/strong>. Cut the first chapter of your book. Cut the first paragraph of a chapter. Cut the first sentence of a paragraph. Tighten everywhere. Tell as little story as possible to get the point across and ensure that readers feel something about it and think about it after they\u2019re done.<\/p>\n<h3><strong>2) To improve conflict<\/strong><\/h3>\n<p><strong>Determine the stakes<\/strong>. Ask yourself: What was the conflict; what were the stakes?<\/p>\n<p><strong>Challenge yourself and your characters<\/strong>. Ask yourself: Why do I care? What about this\u00a0 engages me? Why will it engage others?<\/p>\n<p><strong>Focus on essential actions<\/strong>. Think about your book (or chapter or scene) like this: something happens, things worsen, then get complicated, something twists, and maybe the something gets fixed.<\/p>\n<p><strong>Find the kernel<\/strong>. Ask yourself: What is this story about? Answer that question with one sentence only. Not, \u201cwhat\u2019s the plot,\u201d but what are you trying to\u00a0<em>say<\/em> with this story? Write your answer on a Post-It note and stick it on your monitor. Look at it daily as you write.<\/p>\n<p><strong>Try something new<\/strong>. Ask yourself: What if I do something different? Sometimes your story has to turn sharply in another direction. Blindside the characters. Blindside yourself. Blindside the readers.<\/p>\n<h3><strong>3) To improve character development<\/strong><\/h3>\n<p><strong>Start when your character\u2019s life changes<\/strong>. Ask yourself: Why does <em>this<\/em> story happen <em>right now<\/em>? What events lead to it? What matters about this moment in time that the story has to play out this way?<\/p>\n<p><strong>Assign your character desires and needs<\/strong>. Something or someone stands in her way. Your character is tested on how far she\u2019ll go (and what she\u2019ll do) to accomplish her goals.<\/p>\n<p><strong>Give your character agency<\/strong>. Ask yourself: Did your protagonist push on the story more than it pulled on him? Is he a paper boat on the river, or is he the river? (He should be the river.)<\/p>\n<p>Remember, probably no one gets everything right in the first draft. That\u2019s what revision is for. But if you keep the basic elements of pacing, conflict, and character development in mind, you\u2019re a lot more likely to keep readers engaged and happy.<\/p>\n<p>***<\/p>\n<h2>ABOUT THE AUTHOR<\/h2>\n<p><a title=\"Kay Keppler\" href=\"http:\/\/www.kaykeppler.com\/\" target=\"_blank\">Kay Keppler<\/a><a href=\"http:\/\/www.kaykeppler.com\/\" target=\"_blank\" rel=\"http:\/\/www.kaykeppler.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-9691\" title=\"Kay Keppler\" src=\"https:\/\/writersfunzone.com\/blog\/wp-content\/uploads\/2013\/11\/Kay-Keppler_31.jpg\" alt=\"Kay Keppler\" width=\"150\" height=\"216\" \/><\/a>\u00a0is an author\u00a0<em><a title=\"Zero Gravity Outcasts\" href=\"http:\/\/amzn.to\/1rqW2wW\" target=\"_blank\">Zero Gravity Outcasts<\/a><\/em>, <em><a title=\"Betting on Hope\" href=\"http:\/\/amzn.to\/1l42nc4\" target=\"_blank\">Betting on Hope<\/a><\/em>,\u00a0<em><a title=\"Gargoyle: Three Enchanting Romance Novellas\" href=\"http:\/\/amzn.to\/1pEPjjq\" target=\"_blank\">Gargoyle: Three Enchanting Romance Novellas<\/a><\/em>, and editor of fiction and nonfiction \u2013<em><a title=\"Angel\u2019s Kiss\" href=\"http:\/\/amzn.to\/1nylmgE\" target=\"_blank\">Angel\u2019s Kiss<\/a><\/em>\u00a0and\u00a0<em>Outsource It<\/em>! She lives in northern California. Contact her here at Writer\u2019s Fun Zone in the comments below, or at\u00a0<a title=\"kaykeppler@yahoo.com\" href=\"mailto:kaykeppler@yahoo.com\" target=\"_blank\">kaykeppler@yahoo.com<\/a>\u00a0to ask questions, suggest topics, or if you prefer, complain.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I recently had the opportunity to do a beta read on a novel and provide a critique. The experience was both sad and depressing. Everything was off\u2014pacing, character development, and conflict. Keeping all those ponies in harness pulling their weight and working together is complicated. But this is your job as a novelist. <\/p>\n","protected":false},"author":4,"featured_media":12628,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[20],"tags":[49,1905,2812,2203,157,2811,1340,643,932,45,347,11,2523],"class_list":["post-14643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-writing-tips","tag-author","tag-characters","tag-chuck-wendig","tag-columnist","tag-editor","tag-job-description","tag-kay-keppler","tag-novelists","tag-wfz","tag-writer","tag-writers-fun-zone","tag-writing","tag-writing-tips"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Your Job Description by Kay Keppler &#183; Writer&#039;s Fun Zone<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/writersfunzone.com\/blog\/2016\/02\/18\/your-job-description-by-kay-keppler\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Your Job Description by Kay Keppler &#183; Writer&#039;s Fun Zone\" \/>\n<meta property=\"og:description\" content=\"I recently had the opportunity to do a beta read on a novel and provide a critique. 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