{"id":11125,"date":"2014-08-22T03:00:56","date_gmt":"2014-08-22T10:00:56","guid":{"rendered":"http:\/\/writersfunzone.com\/blog\/?p=11125"},"modified":"2014-08-21T08:56:19","modified_gmt":"2014-08-21T15:56:19","slug":"hooking-your-reader-carol-malone","status":"publish","type":"post","link":"https:\/\/writersfunzone.com\/blog\/2014\/08\/22\/hooking-your-reader-carol-malone\/","title":{"rendered":"Hooking Your Reader by Carol Malone"},"content":{"rendered":"

This material first appeared as a course within the Group Coaching Program for Novelists where Carol is an assistant mentor. Click here <\/span>http:\/\/coaching.bethbarany.<\/wbr>com\/<\/a>\u00a0for more information about the program where we help novelists write, edit, publish, and market their books in with joy, love, enthusiasm, and smarts.<\/span><\/p>\n

***<\/p>\n

\"Hook\"<\/a>

Have you HOOKED your reader?<\/p><\/div>\n

Welcome back author Carol Malone as we join her on another leg of her author\u2019s adventures. Today she\u2019ll discuss the subject of hooking your reader, what it means and how to write it with pizazz. Enjoy!<\/em><\/p>\n

***<\/p>\n

\u201cThomas had to die. There were as many ways to kill the man who raped her \u2013 nails guns, pneumatic cutters, craftsmen shears, and huge rolls of fabric that could easily slip from their precarious slots at the top of very tall pallets \u2013 as there were reasons. Else just needed to get him in the plant \u2013 alone.\u201d <\/em>Carol Malone\u2019s A Game of Murder<\/em><\/p>\n

Did those few opening sentences grab you? Were you hooked in? Do you want to read more? What you just read was my attempt at an opening grabber, hook, or what\u2019s called \u201copening velocity\u201d in my suspense romance novel.<\/p>\n

The first paragraph was an example of Opening Velocity, or how can you hook the reader with your first few sentences?<\/strong><\/p>\n

What is opening velocity?<\/strong><\/h3>\n

It is that writing device or skill with which every writer wants to grab hold of their readers and not let go<\/strong>. We want to start off our stories with a huge bang and keep the momentum going so the reader won\u2019t be able to put our novels down. In order to accomplish that task, we have to snare our readers from the very first words.<\/p>\n

Why is opening velocity or a great opening hook important to a novel?<\/strong><\/p>\n

How many of you have read stories that begin with a narrative dump?<\/strong> Have you read on and on about the weather, the setting, non-essential characters, yet aren\u2019t getting involved in their story enough to care? I once read the novel from a very famous writer and their first twenty-five pages were nothing but narrative regarding the countryside of Spain. Needless to say, I skipped through a lot of nice, but unnecessary detail to get to the meat of the story.<\/p>\n

It should be the goal of every passionate author to want to surprise, shock, grab, entrap, fascinate, lure, tempt, captivate and capture the attention of potential readers.<\/strong> If we’re writing for ourselves or the family and aren’t interested in selling many copies, then a popping hook won’t matter. We are the masters of our stories. No one will ever know our characters, settings or plot better than we do. We should, with a little work, create an opening so compelling that our readers will not put our books down to eat or sleep. Isn’t that your goal?<\/p>\n

Don\u2019t you want a book to jump out at you, hook you by the throat and not let go until you\u2019re reading, \u201cThe End.\u201d<\/em><\/strong><\/p>\n

How do we do this?<\/strong> There are a number of ways to write a great hook, or rev up the opening velocity:<\/p>\n

    \n
  1. Some people start their novels with a few lines of dialogue. <\/strong>It begs the reader to ask, “What just happened?” and they will continue to read because their interest is piqued:<\/li>\n<\/ol>\n

    “Do we go to our death\u2014or worse?” Malkom Slaine gazed over at his best friend, Prince Kallen the Just, wishing he had a better answer for him, anything to ease the apprehension in Kallen’s eyes.\u201d<\/p>\n

    — Opening line from Demon from the Dark<\/em> by Kresley Cole<\/a><\/p>\n

      \n
    1. Open with emotion<\/strong>. And don\u2019t just tell the reader your character is angry, you have to SHOW this in your creative way of writing:<\/li>\n<\/ol>\n

      \u201cCharlene Braddock slammed her laptop closed and hurled it across the bedroom.\u201d<\/p>\n

      — Midnight Lies<\/em> by Ella Grace<\/a><\/p>\n

        \n
      1. Start with something that will scare or excite your reader<\/strong>. \u201cI\u2019m sitting on a cold metal slab, and there\u2019s blood all over my shirt.\u201d Opening from Between Mom and Jo by Julie Anne Peters<\/a>.<\/li>\n<\/ol>\n
          \n
        1. Use a contradiction<\/strong> to start you story. This works well with stories with more emotion:<\/li>\n<\/ol>\n

          \u201cI started walking to the canal one day out of boredom. It’s not that I’m particularly fond of canals;\u201d From Lee Rourke, The Canal<\/em><\/a><\/p>\n

            \n
          1. Try to find an interesting description<\/strong>. (No long treatise on nature, please!):<\/li>\n<\/ol>\n

            From J.D. Robb\u2019s, Treachery in Death<\/em><\/a>:\u00a0 \u201cThe old man lay dead on a scattered pile of candy bars and bubble gum. Cracked tubes of soft drinks, power drinks, sports drinks spilled out of the smashed glass of their cooler in colorful rivers.\u201d<\/p>\n

              \n
            1. Introduce a fascinating character.<\/strong> The more intriguing a character, the more you pull your reader in to see how the story will play out:<\/li>\n<\/ol>\n

              From Stephen King\u2019s, <\/a>Full Dark, No Stars<\/a>: \u201c<\/em>TO WHOM IT MAY CONCERN:\u00a0 My name is Wilfred Leland James, and this is my confession. In June of 1922 I murdered my wife, Arlette Christina Winters James, and hid her body by tupping it down an old well.\u201d<\/p>\n

              Any one of these devices would add great POP to the opening of a novel and HOOK the reader from the start. As a great author, we want to hook with a great opening.<\/p>\n

              It is my hope you will get something from this discussion on how to write with opening velocity. Creating memorable openings is essential. Start your novel right at the moment when our characters are going through a crisis<\/strong> or at the very least, a compelling problem that will engage and hold the interest of our targeted audience.<\/p>\n

              Try choosing one of these opening velocity devices and use it to revise an opening line or two from one of your own stories. See how much better your opening line and\/or lines can become if you put a little effort into crafting an opening with a BOOM!<\/p>\n

              \u00a0Stephen King<\/a> instructed authors in his article featured in The Atlantic magazine, July 23, 2013; \u201cHow can a writer extend an appealing invitation \u2013 one that\u2019s difficult, even, to refuse? \u2026 An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.\u201d <\/em>http:\/\/theatln.tc\/1rngTEj<\/a><\/p>\n

              HERE ARE SOME MORE OPENING HOOKS FOR YOUR ENJOYMENT!<\/strong><\/p>\n

              \u201cIt was a dark and stormy night.\u201d \u2013Madeleine L\u2019Engle,\u00a0A Wrinkle in Time<\/em><\/a> OR<\/em> Edward Bulwer-Lytton in 1830, OR maybe Snoopy?<\/p>\n

              \u201cWhen he was nearly thirteen my brother Jem got his arm badly broken at the elbow.\u201d \u2013Harper Lee\u00a0To Kill a Mockingbird<\/em><\/a><\/p>\n

              \u201cIt was the best of times and the worst of times.\u201d \u2013 Charles Dickens,\u00a0A Tale of Two Cities<\/em><\/a><\/p>\n

              \u201cI remember when polio was the worst thing in the world.\u201d \u2013 Joe Brainard<\/p>\n

              \u201cNot every 13-year-old girl is accused of murder, brought to trial, and found guilty.\u201d \u2013Avi,\u00a0The True Confessions of Charlotte Doyle<\/em><\/a><\/p>\n

              \u00a0<\/em>\u201c<\/em>You\u2019ve Been Here Before.\u201d<\/em> Douglas Fairbairn, Needful Things.<\/em><\/p>\n

              \u201cWhere\u2019s Papa going with that axe?\u201d \u2013E.B White,\u00a0Charlotte\u2019s Web<\/em><\/a><\/p>\n

              \u201cIn the beginning, God created the heaven and the earth.\u201d\u00a0Genesis 1<\/em><\/a><\/p>\n

              \u201cYou better not never tell nobody but God.\u201d\u2013Alice Walker,\u00a0The Color Purple<\/em><\/a><\/p>\n

              \u201cThey shoot the white girl first.\u201d Toni Morrison,\u00a0Paradise<\/em><\/a><\/p>\n

              \u00a0<\/em>\u201cThey threw me off the hay truck about noon.\u201d <\/em>James M. Cain, The Postman Always Rings Twice<\/em><\/a><\/p>\n

              \u00a0<\/em>\u201cThis is what happened.\u201d <\/em>Douglas Fairbairn, Shoot<\/em><\/a><\/p>\n

              Put in the work to perfect your entire story,<\/strong> then think deeply about the opening line or couple of lines.<\/p>\n

                \n
              1. Will they reflect what I want the reader to know in one sentence?<\/li>\n
              2. Will it grab their attention and not let go?<\/li>\n
              3. Will it create interest and set the stage?<\/li>\n
              4. Then will you spend months, like Stephen King, or maybe even years perfecting your opening? Hopefully, it won\u2019t take that long because you\u2019ll all be experts.<\/li>\n<\/ol>\n

                Try choosing one of the above opening velocity devices and use them to revise an opening line or two from one of your own stories. See how much better your opening line and\/or lines can become if you put a little effort into crafting an opening with a BOOM!<\/p>\n

                ***<\/p>\n

                This material first appeared as a course within the Group Coaching Program for Novelists where Carol is an assistant mentor. Click here <\/span>http:\/\/coaching.bethbarany.<\/wbr>com\/<\/a>\u00a0for more information about the program where we help novelists write, edit, publish, and market their books in with joy, love, enthusiasm, and smarts.<\/span><\/p>\n

                ***<\/p>\n

                ABOUT THE AUTHOR<\/strong><\/h2>\n

                \"00AuthorCarol\"<\/a>Carol Malone successfully combined her three passions \u2013 romance, sports, and writing in her 4 and 5-Star rated book, \u201cFight Card Romance: Ladies Night,\u201d http:\/\/amzn.to\/VAINP3<\/a><\/em>\u00a0and became the first woman to punch her way into the male-dominated genre of pulp boxing with a tender love story. Her books entice readers to scramble into a front row seat for a power-packed thrill-ride or swoon to tales of gentle passion. If not hammering out new tales, Carol is reading, watching sports or the Food Network on TV, or hanging with her author husband on the Coast of California. She loves to chat about sports and amour.<\/p>\n

                Website:\u00a0 http:\/\/carolmalone.net\/<\/a><\/p>\n

                Facebook:\u00a0 https:\/\/www.facebook.com\/carolmaloneauthor<\/a><\/p>\n

                Twitter:\u00a0 https:\/\/twitter.com\/CarolAnneMalone<\/a><\/p>\n

                 <\/p>\n","protected":false},"excerpt":{"rendered":"

                This material first appeared as a course within the Group Coaching Program for Novelists where Carol is an assistant mentor. 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